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FYI: Please support if you can...
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January 2008
Dear Friend
As you maybe aware on 13 December 2007, we received a letter from Arts Council
England Yorkshire informing us that our funding would be withdrawn from 31 March 2008.
Frankly, this is outrageous! Compass has had a 20-year
relationship with the Arts Council and at no time during this long relationship
have any doubts about the Company's artistic work or its management been raised
and yet, we only get three short months notice of this cut.
At a meeting on Friday,
4 January 2008, ACE Yorkshire restated that
they had no criticism of the Company's artistic work or management and that the
decision to withdraw funds was purely based on their own changing
priorities. In part, this was driven by the prioritisation of visual arts
at the expense of the theatre sector.
How can we argue against something so utterly elusive?
Surely the key criterion for funding artistic work should be how good that work
is? The long and ever growing list of theatres keen to programme Compass
and you, our loyal and ever-growing audience, are testament to the consistent,
high quality of the Company's artistic work.
Buzz words these days are depressingly familiar to those who
work in the arts. ‘Strategic priorities' - is a phrase that generates
groans from all of us who hear it. Therefore, it makes the heart sink to
read that ACE Yorkshire consider the Company, "neither
particularly innovative or contemporary within the overall ecology of the
theatre sector".
As you know, Compass's repertoire is rooted classic
plays. We attempt to operate from the heart of the text, determinedly
avoiding superficial, glib and artificial re-imaginings of great work. It
would be facile to suggest that because the heart of the Company's repertoire
is classical, it has no contemporary resonance or relevance. The way of
working and the artists we choose to work with make the work contemporary and
innovative. They bring experience, creativity and a contemporary
sensibility to all the texts they engage with.
The simple truth is that our artistic work is excellent and
all excellent work is contemporary and innovative for those experiencing it.
Whilst we understand there is no god-given right for us or
anybody else to continual, unquestioned funding, and we believe that new,
innovative and cutting edge work is essential to keep the lifeblood of theatre
pulsing, it cannot drive it on its own. It needs the maturity and
experience of companies like Compass to help sustain it, give it context and
allow it to survive. Audiences need and desire a rich and catholic diet
if we are to continue to attract them, and theatres in all parts of the
country, especially those in far-flung places, need and deserve quality,
affordable and accessible theatre brought to their doorsteps. Compass, in
a properly considered view of national theatre provision, is absolutely vital.
So - over to you. We ask you to make your voice
heard. The arts bureaucrats, who are increasingly becoming just another
organ of government, have to hear the voices of people who care and understand
about the arts. Please write to Janet Barnes, Chair, Regional Council,
Arts Council England Yorkshire, 21 Bond Street,
Dewsbury, WF13 1AX
or email her on
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Additionally, you might want to write to Andy Carver, Chief
Executive of ACE Yorkshire (address as above) or email
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and the Right Honourable James Purnell MP, Culture Secretary, Department for
Culture Media & Sport, 2-4 Cockspur Street,
London SW1Y 5DH
Please write in your own voice, but you might like to
mention:
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What you think about the Company's work
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Why you think it's important
Please ensure that all letters and emails are sent to them
by Thursday, 23 January 2008.
Finally, we would ask you to be foot soldiers on our
behalf. If you know of any other person who has seen the Company's work
and who could be encouraged to write, then please urge them to do so.
Do please send us a copy of your letter or email. Your
support matters and counts to us - thank you.
Why should we sit back and allow 26 years of work to
disappear on the whim of a capricious and irresponsible decision without making
our collective voices heard?
Yours sincerely
NEIL
SISSONS
CRAIG DRONFIELD
Artistic
Director
General Manager
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